PRINTMAKING AND NATURE PRINTS
I have enjoyed printmaking since elementary school; this began as linoleum block cutting printing and leaf rubbings and over the years evolved into experiences with screen printing, intaglio, drypoint, woodblock printing, lithography, and relief printing with objects. Nature Printing has become the favorite and most developed of these. This involves creating ink prints on Asian handmade papers of stumps of trees and driftwood logs and boards. Various plants and vegetables and fruits have also provided good source material with their shapes and textures. Another printing technique shown below is Suminagashi; “floating ink” in Japanese. This technique is thought to be the source of the European marbling found in hand bound books.
Suminagashi in process:Two Bamboo brushes alternate between small drops of ink dropped in water followed by a brush loaded with a small amount of oil to spread the floating ink circles.
Absorbent handmade Shuen paper is dropped over the ink design in the water. The paper picks up the ink; the paper is lifted out and placed on felts to dry.
Demonstration of printing leaves and feathers. The object is inked with a roller before paper placed over it and then rubbed with a tool (a spoon in this case)
"Shadows of Modern War", Stone lithography 16"x 22", 1984
"Nuclear War Monsters", Stone Lithography, 16"x 22", 1984
"Soaring Seagull" Color reduction relief printing, 5x7" unframed, 2014
"Oak and Maple Leaves Medley", Nature print on Asian paper, 10"x 14" (This print was created by steaming fall leaves on paper to create colors and imagery from the natural pigments in the leaves.)
"Driftwood Board Print #1" , Relief Print on Asian paper, 1983, 10"x 22", 1983
"Driftwood Board #1", Relief Print on Chinese Shuen Paper, 52"x 26", 2012
Stump # 1, Relief print on Chinese Shuen paper, 2012, 16"x 24"
"Mist In The Mountains", Chinese Ink monotype print with the grains of found driftwood printed directly on top, 12"x 16"
"Mixed Media Experiment". Combination of monoprint, Elephant Ear Plant print, and Suminagashi, 16"x 20"
"Seahorse in Ocean", Suminagashi printed on Chinese Shuen paper, 16"x 20"
Abstract landscape created with watercolor paint and vegetable and fruit prints on handmade Chinese Shuen Paper, some elements collaged on, 52"x 28", I was the lead artist in a collabortion with one other artist to produce this piece for the office of FRESH New London, 2017.
"In the Flow", Suminagashi (Japanese for floating ink on water and then printing it) printed on Chinese Shen paper, 16"x 20"